![]() ![]() Billboard 200 and was certified Diamond by the Recording Industry Association of America. ![]() The album spent eleven weeks atop the U.S. "Love Story" and "You Belong with Me" were successful on both country and pop radio. Five songs were released as singles, including three US Billboard Hot 100 top-ten entries: " Love Story", " You Belong with Me", and " Fearless". The album's title refers to the overarching theme of all of its tracks, as they altogether depict Swift's courage to embrace the challenges of love.Īfter the release of Fearless, Swift embarked on the Fearless Tour, which ran from April 2009 to July 2010. Inspired by Swift's feelings as a teenager, the lyrics explore themes of romance, heartache, and aspirations. Music critics noted the album's crossover appeal brought by the influences of different styles including pop, folk, and rock. Swift wrote seven of the thirteen songs on the standard edition by herself and, in her debut as a record producer, co-produced all songs with Nathan Chapman.įearless is a country pop album featuring traditional country instruments such as banjos, fiddles, mandolins and acoustic guitars, intertwined with electric guitars. Written largely by Swift while she was promoting her 2006 eponymous debut album in 2007–2008, Fearless features additional songwriting credits from Liz Rose, Hillary Lindsey, Colbie Caillat, and John Rich. and Canada, and an international edition was released on March 9, 2009. It was released November 11, 2008, by Big Machine Records in the U.S. It’s hypnotic.Fearless is the second studio album by American singer-songwriter Taylor Swift. Slick remembers: “I took acid and listened to Miles Davis’s ‘Sketches of Spain’ album for 24 hours straight until it burned into my brain-particularly ‘Concierto de Aranjuez,‘ which takes up most of the first side. A 1960 album by jazz icon Miles Davis was also a major influence. Musically, “White Rabbit” features a “march” tempo and instrumentation that was influenced by Spanish bolero music. ‘White Rabbit’ seemed like an appropriate title.” It was my Alice moment, heading down the hole. I went from the planned, bland ’50s to the world of being in a rock band without looking back. I was a product of ’50s America in Palo Alto, California, where women were housewives with short hair and everything was highly regulated. While the song is obviously about drugs, Slick also saw it as a metaphor for her own escape from society’s outdated rules: The Illinois Crime Commission released a list of “drug-oriented rock records” in which they said that “White Rabbit” was “extolling the kicks provided by LSD and other psychedelics.” The song’s metaphorical drug references flew largely over the heads of radio censors, but “White Rabbit” did eventually end up on “blacklists” at several stations once its meaning became apparent. The song became the band’s second biggest hit, peaking at #8 on the pop charts. Upon joining Jefferson Airplane in 1966, she offered up “White Rabbit” while the band was recording their seminal second album, Surrealistic Pillow. “White Rabbit” was written by San Francisco-based singer Grace Slick while she was still a member of her original band, The Great Society. One of the most iconic songs of ’60s psychedelic rock, “White Rabbit” uses imagery from Alice In Wonderland to illustrate the surreal effects of taking hallucinogenic drugs. ![]()
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